I have been experimenting with my sampling, using different
types of techniques to bring through occurring texture and detail. Whilst doing
this I have found that when trying to relate these techniques into garment
design and tension squares, it has been extremely difficult to figure out how
to keep sample detail, fully fashioned and to create the shape I would like for
my garment without compromising one of these elements. Having to tweak and
further develop garment designs to achieve a look I want.
Working on a stand using jersey I started to pin out the
designs I plan to knit. For my first outfit I plan to knit a sleeveless dress,
with fully fashioned neckline and arm holes, using the contour technique,
gradually using this give the illusion of the technique taking over the dress,
coupled with the amount of fabric in the dress appearing to consume the
model. I looked at higher end garment
production, researching designers such as Paco Rabanne, exploring how they
designed their garments, identifying the elements which to me, made it look
more high end.
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| Paco Rabanne. |
The second look will be a crochet top and knitted shorts.
Initially, I wanted create a crochet dress similar to the one made by Dolce and
Gabbana, however, I felt the technique I wanted to use wasn’t strong enough as
a stand-alone technique for a whole dress. So I did further garment research
and found the aforementioned look, via Pinterest. Inspired by this, and how
effectively it worked, I wanted to incorporate the technique into one of my
vest designs. I felt it would introduce a summerier feel to the line up.
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| Dolce & Gabbana Source- Pintrest. |
Alongside the vest I also designed shorts. using the Lycra
and pipe cleaner sample. This posed some very discouraging and disconcerting
problems, due to where the pipe cleaners would be sitting and how close the
skin they would be. However, through experimentation I discovered it could be
avoided by incorporating a lining, this plus excessive fabric and clever
placement of the pipe cleaners, ensured they weren’t in close contact with the
skin.
With all the detail design features in the garments, mainly
the dress and the shorts, the focal problem is time consumption; underestimating
the time consumed by individual beading the design on to the dress and the slow
process of placing the pipe cleaners into the shorts was an unpredicted
problem. This has meant prioritising more time to this than to other
components, which in turn may mean jeopardising other elements of the project.
With the use of yarn and techniques I currently employ, I
would like to feel that my work is comparable to designers such as Stephanie Rolland
and Sandra Backlund.




